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	<title>HipHopSite.Com &#187; akbar</title>
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		<title>Akbar &#8211; Big Bang Boogie</title>
		<link>http://www.hiphopsite.com/2001/01/01/akbar-big-bang-boogie/</link>
		<comments>http://www.hiphopsite.com/2001/01/01/akbar-big-bang-boogie/#comments</comments>
		<pubDate>Mon, 01 Jan 2001 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Pizzo]]></dc:creator>
				<category><![CDATA[In The Deck]]></category>
		<category><![CDATA[akbar]]></category>

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		<description><![CDATA[Because of his odd choice for an emcee name, and even stranger choice for a title of his debut album (Big Bang Boogie, anyone?), Akbar&#8217;s debut release may be the most overlooked gem of the year. As one of the debut artists to represent M-Boogie&#8217;s Ill Boogie&#160; roster, this virtually unknown talent comes out of&#160;<a href="http://www.hiphopsite.com/2001/01/01/akbar-big-bang-boogie/">[cont.]</a>]]></description>
				<content:encoded><![CDATA[<p>Because of his odd choice for an emcee name, and even stranger choice for a title of his debut album (Big Bang Boogie, anyone?), Akbar&#8217;s debut release may be the most overlooked gem of the year. As one of the debut artists to represent M-Boogie&#8217;s Ill Boogie&nbsp; roster, this virtually unknown talent comes out of nowhere delivering a surprising sleeper hit of the summer. </p>
<p>As evidenced on some of his little heard indy singles, &#8220;Hot Ya Hot&#8221; and &#8220;Live Long&#8221;, Akbar is a strong emcee, with not only a commanding voice, but wonderful control of his cadences, and undeniable skill in vocabulary gymnastics. His addicting train of thought, acrobatical rhyme schemes keep things forever interesting on tracks like &#8220;No Suckas Allowed&#8221;, as he bounces all over the beats with Mohammed Ali like braggadocio: &#8220;I freak the fly flows / hit the highs and the lows / Rip shows and flip flows with my eyes closed / And one hand behind my back, in fact / Hold the mic with the other to show these brothers they wack / Beat concrete down to grains of sand / Tear microphones to strands with my bare hands / Spit poems that hit domes and split chromosomes / I breaks bones and bricks and sticks and stones / When I bust I kick up dust like cyclones / hittin&#8217; my no fly zone / don&#8217;t try this at home!&#8221; </p>
<p>Topically, he&#8217;s most interesting when expressing his love for the culture, as on &#8220;Hip-Hop Is&#8221;and the reflective &#8220;Take It There&#8221;&nbsp;- two exceptional classic joints produced by newcomer Jun. With a strong religious foundation, Akbar also explores ideas of creation and existence on tracks like &#8220;Driftin&#8217; Thru Space&#8221; and &#8220;Those Who Say&#8221;. And however nerdy brushes with the devil and UFO&#8217;s may seem (&#8220;Bigga Dey Come&#8221;, &#8220;Mothaship&#8221;), Akbar&#8217;s natural mic presence keeps it interesting. </p>
<p>While the production sounds as if these tracks were left over from Gang Starr&#8217;s Daily Operation or Hard To Earn, (that&#8217;s not necessarily a bad thing), Akbar&#8217;s team of beatmakers, including That Kid Named Miles , Thes One of People Under The Stairs, and M-Boogie, have done a good job of keeping a uniform sound throughout the album. As an emcee, he definitely carries the potential to blow up commercially, but it&#8217;s unlikely that Akbar will ever abandon his deep-rooted love for hip-hop culture and religious ideals to do so. Due to the fact that he&#8217;s packaged himself and presented it to the hip-hop audience, rather than have created some new rapper-persona to capture the general public&#8217;s attention, Akbar may remain one of the most slept on emcees of his time, but there&#8217;s no doubt he&#8217;s kept every bit of his integrity. </p>
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