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	<title>HipHopSite.Com &#187; djinji brown</title>
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		<title>Djinji Brown &#8211; Sirround Sound</title>
		<link>http://www.hiphopsite.com/2002/01/01/djinji-brown-sirround-sound/</link>
		<comments>http://www.hiphopsite.com/2002/01/01/djinji-brown-sirround-sound/#comments</comments>
		<pubDate>Tue, 01 Jan 2002 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Peter Agoston]]></dc:creator>
				<category><![CDATA[In The Deck]]></category>
		<category><![CDATA[djinji brown]]></category>

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		<description><![CDATA[Veteran producer/engineer Djinji Brown&#160;describes himself as an &#8216;enthomusicologist&#8217; -&#160;vainglorious perhaps, but wholly fitting indeed. As Dinji&#8217;s self-production Sirround Sound proves, where there is a drum, there is a beat and where there is a beat, there will be movement. Deep-fried Dub-riddim meets House meets Afro-Cubanism meets a couple hip-hop beats is the formula translated through&#160;<a href="http://www.hiphopsite.com/2002/01/01/djinji-brown-sirround-sound/">[cont.]</a>]]></description>
				<content:encoded><![CDATA[<p>Veteran producer/engineer Djinji Brown&nbsp;describes himself as an &#8216;enthomusicologist&#8217; -&nbsp;vainglorious perhaps, but wholly fitting indeed. As Dinji&#8217;s self-production Sirround Sound proves, where there is a drum, there is a beat and where there is a beat, there will be movement. Deep-fried Dub-riddim meets House meets Afro-Cubanism meets a couple hip-hop beats is the formula translated through .&nbsp;One could ramble about Brown&#8217;s past accolades from the brilliantly-jazzy yet-still-scrapped Supernatural full length to his equally unexposed work with Aceyalone&nbsp;to studying the beat under the guise of Public Enemy/Bomb Squad&nbsp;luminary Eric Sadler&nbsp;- but that&#8217;s all precursory name dropping. This is the album and this album is the definition of Dinji Brown. </p>
<p>Movement runs through the 13 tracks. Fluidity strings together the release wisely with all fingers pointing to the DJ. Whether in the bedroom, living room, dancehall or block bash&nbsp;- the intellectual dancer will gravitate towards these songs. &#8220;Mojuba (Afro-Beat For Ellegua)&#8221; slides across tong slaps as the album awakens as a simple yet sundry mix of new music from song to song. &#8220;Blue Hunny&#8221; scats the dancefloor in DJ Spinna&nbsp;shared sensibilities only to be met at the crossroads by &#8220;Apache&#8217;s Revenge&#8221;, only heightening the energy of the original break to wiggable proportions. Even behind the microphone himself, Brown is fully capable, not necessarily to the magnitude of his fellow Seven Headed&nbsp;associates, but unique in his honesty (&#8220;I write about what my gut think, and make a little funk when my butt stink&#8221;) and character as found on one of the sole Rap oriented tracks, &#8220;Life Savers&#8221; (Djinji, you should of included your 12&#8243; cuts though!). He is a rare bird, capable of much that cripples many a hip-hop beatmaker. Revitalizing the ethics longed for and forgotten somewhere after. The record of year to bring together DJ&#8217;s of all genre-orientations. </p>
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