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	<title>HipHopSite.Com &#187; highlife movement</title>
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		<title>Highlife Movement, The: &#8230;estuary</title>
		<link>http://www.hiphopsite.com/1999/01/01/highlife-movement-the-estuary/</link>
		<comments>http://www.hiphopsite.com/1999/01/01/highlife-movement-the-estuary/#comments</comments>
		<pubDate>Fri, 01 Jan 1999 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Peter Agoston]]></dc:creator>
				<category><![CDATA[In The Deck]]></category>
		<category><![CDATA[highlife movement]]></category>

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		<description><![CDATA[This is your worn-down cassette, no longer sporting the imprint of its manufacturer, dulled from the consistent run it finds in your big ass walkman. Much like the kids and their burnt CD &#8220;mixes&#8221;, this mix once only heard through static of plastic is now nestled amongst the crisp ridges and valleys of your vinyl.&#160;<a href="http://www.hiphopsite.com/1999/01/01/highlife-movement-the-estuary/">[cont.]</a>]]></description>
				<content:encoded><![CDATA[<p>This is your worn-down cassette, no longer sporting the imprint of its manufacturer, dulled from the consistent run it finds in your big ass walkman. Much like the kids and their burnt CD &#8220;mixes&#8221;, this mix once only heard through static of plastic is now nestled amongst the crisp ridges and valleys of your vinyl. If the name Massmen doesn&#8217;t open any doors of enlightenment, then hopefully Abstract Rude, Aceyalone,&nbsp;and Mikah 9&nbsp;will. But those 3 heavyweights aren&#8217;t the only ones riding along the Highlife train. Contributions roll thick, both musically and lyrically. Making for 11 tracks that flow with the consistency of any well-rounded mix tape. Which in many ways that is what this is. Splitting play-time evenly between lyrical explorations and instrumental endeavors keeps things nice and circular throughout.</p>
<p>Musically, the platter has a definite direction yet remains surprising. 4-tracks and SPs are the tools of choice. Low-ends and soothing melodies run rampant. While it does have the Massmen imprint, I would hardly say that this sounds like Thynk Taynk, Mood Pieces and even Underground Fossils. Although if anything, the long draw-out vocal samples used in parts of &#8220;Underground Fossils&#8221; are also utilized in similar fashion through out this album&#8217;s various instrumental pieces. &#8220;The Truth&#8221; being an example of this. &#8220;The Movement&#8221; bumps the best, and has won its way on to my answering machine message.</p>
<p>Everything is pieced together to give the album a strong cohesive feel, so to take actual songs away from what was before and after them takes a little of their fluid magic away. Probably the best song for this would be Ab Rude&#8217;s &#8220;The Difference Between You and Me&#8221;, a start and stop melody that sticks with Ab&#8217;s flow like a shadow. Here he states, &#8220;How many time you seen a record and bought it coz&#8217; you heard about it but it wasn&#8217;t dope as you thought it was.&#8221; Damn, too many times to mention, rudeboy. Yet alas, how many times have you heard nothing about an album, picked it up and liked it? Well, here you go.</p>
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