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	<title>HipHopSite.Com &#187; nobody</title>
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		<title>Nobody &#8211; Soulmates</title>
		<link>http://www.hiphopsite.com/2000/01/01/nobody-soulmates/</link>
		<comments>http://www.hiphopsite.com/2000/01/01/nobody-soulmates/#comments</comments>
		<pubDate>Sat, 01 Jan 2000 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Peter Agoston]]></dc:creator>
				<category><![CDATA[In The Deck]]></category>
		<category><![CDATA[nobody]]></category>

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		<description><![CDATA[&#160;The cloth the &#8220;Hip-Hop&#8221; producer is cut from has expanded and mutated infinitely since the bumpin&#8217; days of the 808, no longer bound by simplistic hand-claps or repeated Skull Snaps renditions (although when freaked properly will always prove successful), what we know to be the &#8220;Hip-Hop&#8221; producer has engulfed all that is music, both past&#160;<a href="http://www.hiphopsite.com/2000/01/01/nobody-soulmates/">[cont.]</a>]]></description>
				<content:encoded><![CDATA[<p>&nbsp;The cloth the &#8220;Hip-Hop&#8221; producer is cut from has expanded and mutated infinitely since the bumpin&#8217; days of the 808, no longer bound by simplistic hand-claps or repeated Skull Snaps renditions (although when freaked properly will always prove successful), what we know to be the &#8220;Hip-Hop&#8221; producer has engulfed all that is music, both past a present. Like their forefathers, they ingest their individual influences and then reinterpret them on to the listening public, these days freaked and flipped (in regards to what is &#8220;dope&#8221;) to the highest degree. LA&#8217;s Nobody&nbsp;acts as the unseen sage in the midst of dusty breaks and rich samples, and the almost 70 minute Soulmates is both a testament to his talent as a Hip-Hop producer as well as to the future of this next generation of beat makers and track layers. A generation to be considered as musicians with samples rather than simply cats with drum machines. </p>
<p>Rich basslines and hearty drums are bountiful throughout Soulmates; tracks like &#8220;Leading To The One&#8221; and &#8220;Sixth Sense&#8221; simmer in their bump leading the listener through hypnotic escapades. &#8220;Syde Tryps&#8221; flirts with a smoky dub sound as &#8220;Tone Therapy&#8221; provides a psychedelic head nod that&#8217;s hard to resist. While the lyrical appearances are scant they prove to be spent well nonetheless. Freestyle Fellowship&nbsp;style well on the previously released &#8220;Planets Ain&#8217;t Aligned&#8221;, but the best collaboration between producer and emcee goes to &#8220;Shades Of Orange&#8221; featuring Of Mexican Descent&#8217;s 2Mex. Proving to be highly underrated in delivery and lyricism, 2Mex slides along Nobody&#8217;s melodious (yet not melodramatic) bump creating a masterful song. Notably, Abstract Rude&#8217;s help on &#8220;Inner Eye&#8221; and Aceyalone&#8217;s appearance on &#8220;Faces Of The Deep&#8221; glimmer in a dusty nostalgia of early Fat Jack/Project Blowed collaborations.</p>
<p>To unaware listeners you might think you&#8217;re revisiting old LA underground demos while soaking in , but this ain&#8217;t old stuff it&#8217;s the creation of something new while returning to the ethics and practices of music&#8217;s past. Nobody&#8217;s got beats yo, but he&#8217;s also got soul and along with a small few he&#8217;s contributing to the piecing together of a new Hip-Hop cloth, something too rich for MTV yet easily accessible to the versed head. <br />&nbsp;</p>
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