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	<title>HipHopSite.Com &#187; zimbabwe legit</title>
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		<title>Zimbabwe Legit &#8211; Brothers From the Mother</title>
		<link>http://www.hiphopsite.com/2005/07/06/zimbabwe-legit-brothers-from-the-mother/</link>
		<comments>http://www.hiphopsite.com/2005/07/06/zimbabwe-legit-brothers-from-the-mother/#comments</comments>
		<pubDate>Wed, 06 Jul 2005 07:00:00 +0000</pubDate>
		<dc:creator><![CDATA[Max Herman]]></dc:creator>
				<category><![CDATA[In The Deck]]></category>
		<category><![CDATA[zimbabwe legit]]></category>

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		<description><![CDATA[(Vaulted re-release; no rating given) &#160;&#160;&#160; Digging in the vaults of defunct or negligent record labels is becoming an increasingly popular and wise decision on the part of independents. While the early-90s was undoubtedly a high point for hip-hop, even then, labels were more often concerned about capital than creativity. But thanks to labels like&#160;<a href="http://www.hiphopsite.com/2005/07/06/zimbabwe-legit-brothers-from-the-mother/">[cont.]</a>]]></description>
				<content:encoded><![CDATA[<p>(Vaulted re-release; no rating given)</p>
<p>&nbsp;&nbsp;&nbsp; Digging in the vaults of defunct or negligent record labels is becoming an increasingly popular and wise decision on the part of independents. While the early-90s was undoubtedly a high point for hip-hop, even then, labels were more often concerned about capital than creativity. But thanks to labels like Stones Throw, abandoned projects now have a new home and new shelf life. Taking note of this development, Glow In The Dark Records aptly presents the Afrocentric sounds of Zimbabwe Legit with their impressive 1992 full-length debut, Brothers From The Mother. </p>
<p>&nbsp;&nbsp;&nbsp; As the title alludes, MCs Akim and Dumi are natives of Africa, who were already established hip-hoppers by the time they touched American soil (New York) in 1990. But by no means is their heritage a gimmick. It&#8217;s their foundation; it&#8217;s the way they &#8220;rock to the drums&#8221; with a rich effortlessness. As this duo displays on the refined opening cut, &#8220;Basically Speaking,&#8221; just because they&#8217;re not American-born doesn&#8217;t mean they&#8217;re not well aware of slavery and racial injustice. All throughout this compact, 41-minute effort, they make it evident how well read they are without going over anyone&#8217;s head in the process. And as songs like &#8220;To Bead or Not to Bead&#8221; prove, Akim and Dumi are also well aware of culture counterfeits as they cunningly examine the authenticity and commercialization of Afrocentricity in America. On a lighter note, Zimbabwe Legit can drop straightforward golden era hip-hop (see the up-tempo Black Sheep-esque &#8220;Straight from the Mothership&#8221;) just as convincingly.&nbsp; </p>
<p>&nbsp;&nbsp; Zimbabwe Legit arguably would have had an edge up on other Afrocentric acts of the early-90s because of their experience of living in both Africa and America and their ability to so eloquently relay this. Yet the industry didn&#8217;t see it that way. Nonetheless Zimbabwe Legit&#8217;s magnetic debut is aptly getting a second chance. While Akim and Dumi carry a sound all their own, fans of X-Clan, Poor Righteous Teachers, Das Efx and Black Sheep are all likely to find solace in this rock solid, golden era composition.</p>
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