
While progressive groups like Outkast, De La Soul, and Gang Starr reinvent themselves, or replenish their perspective sound every few years, Mobb Deep’s exacting formula has remained steadfastly loyal to one simple rule—if it ain’t broke don’t fix it. Though our senses have been undeniably numbed by the realness that Prodigy & Havoc manifest, this duo has contrived a harshly distinctive blueprint; one which at its pinnacle generated a certified classic LP The Infamous.
Prodigy’s highly anticipated solo bow, H.N.I.C., is a defining effort that encompasses the best of what East Coast gangsta rap has to offer. In typical fashion, P continues to remorselessly immortalize QB’s underbelly with the explosive “Infamous Minded” feat. Noyd, and “Wanna Be Thugs” feat. Havoc. Yet, a more meditative, and enlightened thug surfaces on H.N.I.C., as P laments on “Genesis”—”busy wilding/all for the wrong cause/put that same strength into something that will pay off/don’t forget your souls involved/that same energy comes right back and revolves.” Thanks largely to reexamining his fatalistic mentality, Prodigy can no longer be merely defined by the project he faithfully reps, nor the crime parables he so vividly depicts. Granted, Prodigy’s interpretive skills do not nourish the psyche with the same food for thought that Jigga supplies. But “Veteran’s Memorial”, and particularly the revealing “You Can Never Feel My Pain”, which details P’s battle with sickle cell anemia, are both deeply illustrative of his growth as an introspective lyricist. With the latter, Prodigy confronts his demons, divulging how an excess of drugs, and alcohol enabled him to temporarily escape the harsh reality of a crippling disease—”a nigga depressed/I need smoke/I need me a drink/I’m trying to stop though/experience life through the shoes of me”.
Though partner Havoc’s contributions behind the boards are limited to a sparse two tracks, NY’s favorite thug producer of the moment, Alchemist, ably slides into his role. While the rest of H.N.I.C.’s production roster contains a host of high profile beat-technicians: Rockwilder, EZ Elpee, and Nashiem Myrick; who settle, rather then stir. It is the sweeping strings, and soulful grooves of upstarts Ric Rude, and rising star Just Blaze who take the high road.
Besides the horribly misplaced “Y.B.E.” f/ B.G., the only stumbling block Prodigy is unable to hurdle, relates directly to his insistence on including the lyrically deficient members of his Infamous Records roster.
Mobb Deep’s methodical formula has accumulated its fair share of detractors. While H.N.I.C. may not hush Mobb Deep’s critics, it will further cement the group’s status as the thug elements adopted group of choice. There is no debating where P’s loyalties lay, which he matter-of-factly reiterates on “Rock Dat Shit”— “I’m every blocks theme music/every projects anthem/every gun handlers song to clap too.” For Prodigy that legacy seems to be enough.
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Mixtape D.L.




















1 January, 2000@12:00 am
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