Game speaks on his mixtape, working with Pharrell and Dr. Dre on “The R.E.D. Album,” the benefits of collaborating with Justin Timberlake, and who will win the sales battle between him and Drake on June 15, 2010.

Universal Music Group has released solicitations for Game’s The R.E.D. Album, set for a June 15th release date. This looks to be set in stone (finally), as it is now appearing in the retail catalogs. The album is solicited with regular and deluxe 2CD versions. No official cover art is attached to the solicitation, but [cont.]

You too can join in the long legacy created by Olivia, The Game, Young Buck, Young Hot Rod, Lloyd Banks, and Tony Yayo. Just don’t leave town for too long, they might think you’re beefing.

“I feel great about this album,” he said recently after going over tracks at Dr. Dre’s house. “It’s back full-force Aftermath and I’m conjoined with Star Trak.” (Pharrell Williams is one of the LP’s executive producers.) “I got this colorful movement over here where it’s beautiful music on this side [with Star Trak] — then [cont.]

There is still no release date in the Universal database for The Game’s R.E.D., so take this with a grain of salt…. Still, this copy of the track came over directly from an insider at the label, with the artwork embedded in it. Looks like Game is channeling Ice-T’s The Iceberg / Freedom Of Speech…Just [cont.]

Not sure who produced this joint but I wouldn’t be surprised if it dictated the subject matter. When you hear those guitars, you’ll want to reminisce. When you hear the songstress blessing the hook with that Motherly vibe, you’ll want to shed a tear. Lyrically, all three emcees come correct and spit with a lot [cont.]

The big question lately is whether or not Game’s R.E.D. album will make the March 23rd street date he’s been pubbing, and whether or not the tracklist leaked on the internet is “real” or not. New artwork surfaced via the rapper’s website today, advertising “400 Bars” as a buzz single, stating the album will drop [cont.]

Is he drunk? The bottle in hand suggests so. Because that is the only excuse that Game has for dissing Jay-Z on stage in France this past week. Game continues his Career Suicide Tour with a freestyle aimed at Jay-Z, after Jay-Z name-dropped him in a live freestyle performed this past week in both Vegas [cont.]

As we reported last week, The Game offered an apology to 50 Cent and G-Unit about the old beefs, and proceeded to Sarah Palin it into some kind of weird vacation metaphor. Whoo-Kid recently interviewed G-Unit’s Tony Yayo, asking him about what he thought of the apology. “Honestly, it was bugged out to me when [cont.]

*Sigh*… I was really rooting for this dude. Loved The Documentary, loved the (ironically titled) Doctor’s Advocate. Both albums had superior production and solid lyrics, despite the man’s penchant for name-dropping. Whether or not this dude is a studio gangster or an ex-Change Of Heart contestant, I could give a fuck – just like I [cont.]

And now, the video for The Game and company’s MJ tribute, “Better On The Other Side”… – DJ Pizzo

Undeniably, The Game is one of the premier hip-hop artists out right now.  Besides Lil’ Wayne and Kanye, who else has captivated fans, both positively and negatively, while putting out stellar albums that can arguably be called classics?  But with L.A.X., it seems as if the sophomore jinx waited one album late to rear its [cont.]

    It could be argued that 50 Cent’s kicking Game out of G-Unit was the best thing to ever happen to the Compton emcee. Truth be told, Game was lucky enough to be shown the door, just before commercial flops from Tony Yayo, Mobb Deep, and Lloyd Banks were released under the G-Unit banner. Now, [cont.]

      Much like Seattle’s grunge rock scene fell apart after the death of Kurt Cobain, one could draw the conclusion that the west-coast rap scene died with Tupac Shakur. And while today, Pac is looked at as a martyr, a legend, and even a god-like figure in hip-hop’s mythos, there was more to the west [cont.]

      Much like Seattle’s grunge rock scene fell apart after the death of Kurt Cobain, one could draw the conclusion that the west-coast rap scene died with Tupac Shakur. And while today, Pac is looked at as a martyr, a legend, and even a god-like figure in hip-hop’s mythos, there was more to the west [cont.]